Major Soviet Writers Essays In Criticism.

Some writers dared to oppose Soviet ideology, like Nobel Prize-winning novelist Aleksandr Solzhenitsyn, who wrote about life in the gulag camps. The Khrushchev Thaw brought some fresh wind to literature and poetry became a mass cultural phenomenon.

Literary criticism (or literary studies) is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical discussion of literature's goals and methods.

The chapters follow theory and criticism into the 1930s with examinations of the Union of Soviet Writers, semantic paleontology, and socialist realism under Stalin. A more “humanized” literary criticism appeared during the ravaging years of World War II, only to be supplanted by a return to the party line, Soviet heroism, and anti-Semitism in the late Stalinist period.

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Formalism, also called Russian Formalism, Russian Russky Formalism, innovative 20th-century Russian school of literary criticism. It began in two groups: OPOYAZ, an acronym for Russian words meaning Society for the Study of Poetic Language, founded in 1916 at St. Petersburg (later Leningrad) and led by Viktor Shklovsky; and the Moscow Linguistic Circle, founded in 1915.

About Essays In Criticism. Founded in 1951, by F. W. Bateson, Essays in Criticism soon achieved world-wide circulation, and is today regarded as one of Britain's most distinguished journals of literary criticism.Essays in Criticism covers the whole field of English Literature from the time of Chaucer to the present day. The journal maintains that originality in interpretation must be allied to.

The Soviet Writers Congress was held in August 1934, five years into the ultra-left “Third Period” of the Comintern, shortly afterwards abandoned in favour of the “Popular Front” policy. The thrust of the Comintern’s cultural policy at this time, was to gather around the Comintern leading writers and intellectuals in all countries on.

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Theory and History of Literature (1981-98) is a landmark event in twentieth-century critical thought. Intended to stimulate research and encourage interdisciplinary dialogue, as well as to introduce prominent European theorists to the American academy, this book series is internationally renowned for its foundational literary scholarship.

Essays in Criticism, by Matthew Arnold (First Series, 1865; Second Series, 1888). These essays are characterized by all the vivacity to which the author alludes with mock-serious repentance, as having caused a wounding of solemn sensibilities.

This volume assembles the work of leading international scholars in a comprehensive history of Russian literary theory and criticism from 1917 to the post-Soviet age. By examining the dynamics of literary criticism and theory in three arenas--political, intellectual, and institutional--the authors capture the progression and structure of Russian literary criticism and its changing function and.

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